Ollie
Hagler, your father, was a friend of mine when we worked together in the Mine Training Dept. at the Magma
Copper underground mine near San Manuel,
Arizona, circa 1980 - 1982.
Our job was to conduct both surface and underground training for "new-hires" at the mine, who were called "lemon heads" for the bright yellow-green hard hats they were required to wear for their first few weeks at the mine.
This was soon after
Ollie had quit working at the San Manuel schools; I think he had been a principal.
Ollie was good at teaching classroom subjects on the surface but was never very comfortable underground. We were often assigned together to take our classes underground for their "OJT" (on the job training) and I'd be the lead instructor for the group in terms of being the "cager" to give signals to the shaft hoist operator to lower or raise our groups, checking the "bombs" (production blasts) placed by the chute blasters assigned to our training groups and doing the final "checkout" of our panel before the lunchtime or "end of shift" blasts.
What I always particularly liked about
Ollie was his good humor.
There's a mining museum being planned for Tucson and I'll append a copy of an article about it to the end of this article. In addition to being an instructor in the training dept., I was the mine photographer and assembled many of the audio-visual training programs we used at the mine. I mention this because I'm planning to donate a collection of at least 10 color prints of various subjects from the mine to that museum, including 20-ton trolley locomotives, ASEA cars, Welcom cars and so on.
At the time we worked there, the mine had over 200 miles of underground railway in the main haulageways, drifts and crosscuts, to give you an idea of the size of it. In terms of tons of ore hoisted "from depth" per day, often over 70,000 tons/day at the time, it was the largest underground mine which has ever existed.
While we were there, the main levels being worked were the 2315 (draw) level and the 2375 (haulage) level; the 2015 and 2075 levels were nearly depleted and the 2615 and 2675 levels were just being brought into production. Those numbers refer to the depth, in feet, of the level below the surface: 2,315 feet, for example. It was the "block caving" mining method used for large bodies of low-grade ore at depth; the ore contained less than 1/10th of 1 percent of copper, as I recall. However, there were also at least 27 other trace minerals (including gold and molybdenum) recovered and it's my understanding that they are what made the operation viable.
I'm not collecting information on the
Hagler family, though I did hear from a few different people soon after I'd posted Ollie's obituary (which I did simply because I liked him), and I think it likely that you'll be hearing from other people who are working on the
Hagler family tree in response to your post.
At any rate, following is the article about that mining museum:
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7 Mar 2005:
Mining tales from below
Flandrau Science Center finds gems in growing collection of miner stories
By Karen
Schaffner ARIZONA
DAILY STAR
Rod Carender of Oracle worked in mines for nearly 10 years, but his first day on the job is the one that remains most sharply etched in his mind.
Then 18 and a recent high-school graduate, Carender found a job as an underground mechanic's helper with the Magma
Copper Co.
On his first day, he was given two gifts common to all newbies: a yellow hard hat to show he was new to the mine and the nickname "lemonhead."
When it was time to go underground, Carender, now 48, boarded a chippy hoist, an open four-man elevator that operated in a narrow shaft. On the way down, "I stuck my head out the side," said Carender. Just as he pulled it back in, the hoist whizzed past a protruding steel beam that easily would have taken off his head.
"I realized you could die very, very fast."
He later learned about White
Boots, a miner who reportedly lost his head his first day on the job and was haunting the mine, looking for his head.
"I almost became a White
Boots," Carender said. "But I didn't know any better. I was a lemonhead."
Though harrowing, Carender's story is typical of the mining tales being collected at the University of
Arizona Flandrau Science Center. The oral histories will eventually end up in archives and exhibits in the center's mineral museum, which will be a major component of the center Downtown at
Rio Nuevo.
Fearing their stories would be lost as the miners and their families and friends aged and died,
Alexis Faust, Flandrau's executive director, got the idea to record and archive their stories. The "
Miners Story and Project" was born.
"That history and those stories will become the basis" for the mineral museum,
Faust said.
Thanks to a major grant by the
Phelps Dodge Mining Co., Flandrau is working with Local Projects, a national museum-exhibit design firm known for its work on the StoryCorps Story
Booth at Grand Central Station in
New York City.
Faust is hoping the stories will provide a picture of one large facet of how the Southwest grew. She wants to highlight just how important is the contribution of the mining industry and the men and women who participated in it.
"On the backs of many of these people lies the story of the Southwest," she said. "We really want to record this critical piece of history and share it."
To accomplish that daunting task,
Faust brought aboard Shipherd
Reed, a documentary-film director and video-biography producer. He is the person recording the stories and interviewing the miners.
Reed has been on the job for about two months now and is starting to notice the threads running through each story.
"Everybody remembers the first mine they walked into. As the miners say, 'When I was green . . .'
"Miners are famous practical jokers,"
Reed continued. "Often when (a miner is) green, that's when they'll play a joke on them, such as luring them into an unused area and frightening them. And it's dark down there."
There are also stories of feats of strength, and, according to
Reed, "almost all have had some sort of close shave."
But it's not just miners
Reed wants to talk to.
"We are interested in hearing everyone's stories, and that would include wives or families or friends of miners," he said. "Even if they didn't go underground, they remember the culture of the mines. I believe that everybody has good stories."
That's true in
Bisbee.
According to
Faust, the miners there would "sneak a piece (of copper) out in their lunchboxes. They understood the aesthetics of the pieces," and hated to see them get melted down, she said. "They would trade them to the barber for a haircut and a shave - so the barber had the best collection in
Bisbee."
Recording an oral history means you need some oral-history-recording equipment. To that end, a vintage-style travel trailer with a mobile recording studio inside is under construction.
The trailer is expected to be decked out in copper and full of the latest recording equipment. When an interview is over, both the museum and the miner will have a CD copy.
Since Tucson isn't the only city where mining is important,
Reed plans to take the trailer all over the Southwest, where anyone with a story to tell can make an appointment for an interview. Stops later in the year are planned in
Bisbee and in Silver City, N.M.
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